The Unsung Greats of Classic Rock

Classic rock is a term used loosely to describe the albums released in the early to late 70's by artists which have become legendary and therefore 'classics".




Most of these albums/artists were highly original and would become influential on many other bands for generations to come. No matter what era you were born in since the 70's almost ANY band you listen to would have been influenced by artists and bands from this era. So even if you are now only in your teens and you find you favorite band sounds "totally original" you can bet your bottom dollar that they were influenced by someone from this era ( even if they don't even know it!)



The seventies was a great era for music because it truly was a ground breaking time for original music. Nothing was copied, or rehashed, everyone had their own sound even though, as always in music, the 70's was a continuance and evolution of music from the 60's, but it matured more fully in the 70's.



Bands and artists such as Led Zeppelin, Deep Purple, Jimi Hendrix , Free, Allman Brothers, Queen, Black Sabbath, Cream, David Bowie, Status Quo are all examples of acts who made their start in the 60's but found their sound and style in the 70's, and therefore gave rise to many other bands who then added their own flavor to these styles.



Lesser known bands such as Uriah Heep, Wishbone Ash, Grand Funk Railroad, Scorpions (who became quite huge in the 80's), and Thin Lizzy are worthy of mentions but would not necessarily be known as legends, where as other acts such as Queen became absolutely huge and remain so to this day.



It is the same with "guitar heroes". Almost every guitarist no matter what age has heard of or has listened to Hendrix, Clapton. Jimmy Page etc but there are other extremely talented and influential guitarists who are less well known that should be in the legend status as well. Two such examples are Richie Blackmore from deep purple and Michael Schenker from UFO. You will find some modern players such as Kirk Hammet and Dimebag Darrel were heavily influenced by Michael Schenker, but Schenker has not really achieved "god like" status such as some of his contemporaries like Jimmy Page and Eric Clapton.



I could go on for hours about classic rock and there are hundreds of excellent albums that are still available today, (and some fine ones deleted) but some songs and albums rate a special mention for their guitar prowess and are worth your time to have at least a quick listen.



Heres a quick list or lesser known gems of classic musical genius that are worth a listen



Deep purple:

Guitarist: Richie Blackmore:

Choice albums: Made in Japan and Deep Purple in Rock

Songs: Highway Star, Child in Time.

Some of the most blistering guitar work you will ever hear recorded in the early 70's and held the Guinness Book of Records title as the loudest recording ever made!



UFO:

Guitarist: Michael Schenker.

Choice Albums: Phenomenon and Force It.

Songs: Rock Bottom

One of the most exciting and dynamic solos ever recorded, he was about 18 at the time!



FREE: (later to become" bad company" another excellent act!!)

Guitarist Paul Kossof

Album: Best of Free.

Songs: All Right Now, Fire and Water, .Mr. Big [live]

Simplistic and slow style excellent natural tone, all feeling!!! A Les Paul plugged straight into a marshal, no pedals and no tricks.



WISHBONE ASH:

Guitarists: Andy Powell & Ted Turner.

Choice albums: Argus and There's The Rub.

Excellent melody and twin harmony lead breaks, copied by many acts since! Very complex arrangements



I know I have missed many other guitarists and bands here, but the thought is to give an idea of the amount of unearthed 'gems' there are to be heard apart from the obvious legends!!



Matt is a guitar enthusiast who lives and breathes anything guitar related. He's been playing for a long time and loves talking about guitars with everyone. You can find him frequently playing on his porch. Check out free tips, online lessons, and a guitar forum at Axebay- Used Guitars



Article Source: http://EzineArticles.com/?expert=Matthew_Kepnes

Motorhead - Ace of spades

Igor Stravinsky once remarked that the baroque composer Antonio Vivaldi didn't write 685 concertos, he wrote one concerto 685 times. It could be similarly argued that every hemi-semi-demiquaver recorded by Motorhead in its 20 years of existance is a minor variation on the group's triple-speed signature song "Motorhead," written by Lemmy Kilmister shortly before he was booted from English prog-bores Hawkwind in 1975: distorted bass amped up to the point of insanity, Kilmister's throat-cancer roar, drug-marathon imagery, incomprehensible soccer choruses, and thrashy, trebly, speed-freak guitar crusted over the top like a ripe scab.




Motorhead's formula is pretty much everything you could want in an unfashionable rock band, even if you discount the grinning mechanized skulls, biker paraphernalia, and profoundly unwashed appearance. It seems like an obvious move in retrospect, but Killmister may have been the first Brit to plunder the Detroit Iggy/Nuge/MC5 thing the way Beatles took over Chuck Berry and Little Richard. Motorhead was the loud, wet fart punctuating the Mentos commercial of late-'70s British rock, and Motorhead-influenced groups from Discharge to Metallica dominate loud working-class music to this day; as a teenager, a pre-Metallica Lars Ulrich was president of a Motorhead fan club.



1980saw Ace of Spades, probably Motorhead's greatest studio album, with Kilmister's bad-neighbor policy rendered as crunch and spit and blood; tune for tune it's almost the evil twin of AC/DC's Back in Black, released the same year. Busy Motorhead also found time for a classic collaboration with Girlschool, the St Valentine's Day Massacre EP, an inspiration for the grrrl-rock bands of the '90s.



Article Source: http://EzineArticles.com/?expert=Nakis_Retalis