Tuesday 20 April 2010

Megadeth United Abominations Album Review


The new Megadeth album, "United Abominations", is considered as a sonic assault, in the first album which featured a stable line up since their album "The World Needs A Hero" David Mustaine speaks up his mind on nuclear war and government corruption in the United States.

In first impression, the songs in the album are similar to other Megadeth's late albums. The music focuses on the song structure and the guitar rhythm without insane speed and technique. Megadeth is an old rock band, but they can play with the same intensity with other groups younger than their age. The album is steady and easygoing while full of lyrical message. Mustaine tries to deliver instead of the skill show-off as in "Rust in Peace."

The album starts with a song with a catchy tunes in "Sleepwalker". This is the typical song same with the opener of the previous album "The System Has Failed", the song full with unique lyrical structure that unfortunately never reach the peak as Megadeth's songs use to be. "Washington Is Next" has catchy chorus and faster speed. "United Abominations" is definitely the catchiest song in the album, as it becomes the title of the album. Next comes "Never Walk Alone...A Call To Arms," a long paced song slipping in the middle of the album. The songs after "United Abominations" unfortunately get worse in comparison to the previous songs. "Gears Of War" is full of metal frenzy yet too amateur for Megadeth's reputation. The same music also goes for "Blessed Are The Dead" and "Play For Blood." The next remake of "A Tout Le Monde" which features Cristina Scabbia from Lacuna Coil fails to impress since it is played the same with its previous version in "Youthanasia." Cristina Scabbia's voice barely heard in the song and Glen Drover's guitar solo are lame and out of technique. The last three songs "Amerikhastan," "You're Dead," and "Burnt Ice" do not come any better. The closing of the album gives an impression that the album completion is rushed so that they just grab any song to fill in the album. The guitar solo is painful to hear and lack of creativity. Dave's guitar sounds chaotic, but Drover's is actually good, only he's an artist who can only re-create others' works and without creativity.

The sound quality in "United Abominations" is no good compared to "The System has Failed" album. The album sounds as if it is made not in a professional recording establishment, but in a home studio. The good thing about this album is that it can easily be listened to. The sound is average and not full of music and instrumental distortion.

To Megadeth fans, even though they buy the album, this album is disappointing. The songs are not as what they may have been expected. There are no heavy metal music, only simple hard rock. Mustaine fails to do a great job this time.

Gretchen Gordon loves rock and roll and other pop music.

She routinely writes reviews on albums and you can see more of her reviews here.

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Monday 19 April 2010

Review of Heavy Metal - Music From the Motion Picture

Of all the music I own, this collection of tracks in Heavy Metal, has to be one of, if not, my favorite. I have constantly upgraded the media - from wax to CD - ripped the CD to mp3s - lost the CD - accidentally deleted the mp3s - downloaded from iTunes. The music from this album, release in 1981, has held up well over the years.

Some will argue that the music is not "metal" and to an extent this is true. But the "metal" in the title is from name of the movie "Heavy Metal" of which this album is the soundtrack. There are some tracks that are early versions of metal (Nazareth, Black Sabbath for example.) These, mixed with the other tracks, provide a good cross-section of the music of the early eighties - metal, hard rock, pop, and I guess a Devo category which defies categorization (new wave maybe.)

Heavy Metal the movie is an animated collection of vignettes released in 1981 with the sci-fi and fantasy magazine Heavy Metal serving as its inspiration. The magazine was and is famous for its nudity and violence and the movie contains an ample portion of each though not to extent of the magazine. The soundtrack to the movie is sixteen tracks from a variety of artist and was released on a double album.

The songs from the solo artist rival, or in some instances, are much better than anything they have done elsewhere. Blue Lamp is one of Stevie Nicks' best solo releases ever. Donald Fagan, just coming off the breakup of Steely Dan, shows his jazzy style in True Companion. What Don Felder does here is just as good or better than anything he has ever done, with or without the Eagles.

Blue Oyster cult wrote several songs for the soundtrack to the movie but it was a song they didn't write for the movie that made the cut. 'Veteran of the Psychic Wars', cowritten by BOC's Eric Bloom and the science fiction/fantasy author Michael Moorcock, has been covered by the Finnish metal band Tarot and by Metallica.

Tracks from early metal bands (but not too early) Black Sabbath and Nazareth blend well with the hard rock from Riggs and Sammy Hagar. Hagar is at the height of his solo career. The two songs from Jerry Rigg's pseudonynous band are better known than anything else they have ever done. The song Prefabricated, is translated from the french and is by the band, The Trust.

Cheap Trick recorded "Reach Out" and "I must be Dreaming" for Heavy Metal. Power ballad "Open Arms" from Journey also appeared in the soundtrack to the movie "The Last American Virgin."

The high quality "Queen Bee" was probably Grand Funk Railroad's most notable track during their early eighties reunion. Grand Funk was one of my favorite bands from the 70's (it's also Homer Simpson's favorite band.)

Hard rock, guitars, keyboards, strong vocals - if you're looking for this sound, it's all here.

Bob has varied interest in many subjects literature, electronic gadgets, music, technology, history, philosophy, investing, and religion. He has recently authored a help guide to digital photo frames which can be found at http://www.digitalphotoframesearch.com.

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Sunday 18 April 2010

Led Zeppelin


Led Zeppelin is the #1 Rock and Roll Band of All Time

I've been in rock and roll all my life and I'm well aware that The Rolling Stones have been called the best rock and roll band. Don't get me wrong because I love Mick and the Stones, and the Beatles were my major musical influence, but here's why I think that Led Zeppelin is the best rock and roll band of all time:


BEST PLAYERS First of all, John Bonham was the best rock and roll drummer ever to walk the face of this planet, and that's an informed opinion coming from a former professional drummer. John played drums unlike anyone else ever did, still does, or ever will, and that fact is continually demonstrated in the astounding breadth and depth of his recorded work. He had complete independence in all four limbs, he slammed his drums harder than anyone else, and he did it with speed and total precision, never once dropping the beat. His beats were innovative and creative, and John was never stuck in simple grooves. His fills were innovative, creative, complex, and technically brilliant, he knew when to keep it relatively simple (i.e. Kashmir), but he was always in the stratosphere of drumming. And to top that all off, John created a giant drum sound which is unique. It inspired a host of imitators who were able to imitate the sound of his snare drum, but only with a simple backbeat. At the time that Led Zep was formed, Jimmy Page could have gotten any drummer in the world to play with him, and he chose John. There's not one single drummer alive or dead who can begin to touch John's power, creativity, speed, precision, and technical brilliance. I've heard that Jimmy still feels the same way about John as I do. Secondly, Jimmy Page has always been one of the best rock guitarists ever, right from his earliest days as a session player and the beginning of his real public stardom in the Yardbirds. I believe that Jimmy is the most brilliantly prolific of all the great rock and roll guitarists. I suspect that Jimmy would agree with me that Jimi Hendrix was the one true genius of guitar because he came from another galaxy in terms of his sound and his use of feedback. But unfortunately, Jimi died and we will never know how much further he would have progressed. When I listen to Jimmy's solos using the violin bow, I get the urge to put him on the same pedestal as Hendrix and wonder which galaxy they both came from. As a songwriter, Jimmy used his superior ability to play lead guitar to create actual song structure. Led Zep's songs use not one or two of Jimmy's incredibly powerful, complicated and unbelievably SEXY riffs in each song, but there are four, five or more riffs in some songs. Jimmy's riffs differ from each other within each song, and also from song to song. His lead guitar playing can be HARD and sexy, he can be sensitive and beautiful, and he can be technically brilliant, all in the very same song. Thirdly, John Paul Jones is a bass player who attained a level of brilliance comparable to Paul McCartney. Just like McCartney, John could play beautiful "melodic" bass (i.e. "Ramble On"), he could play as fast as it gets, but he also knew when to keep it simple and just hold down the bottom although I think he was incapable of doing that without utter sophistication. No one at all can touch those two on bass, and John also played consistently brilliant keyboards - piano, organ and synthesizer. The intricate way in which he wove his bass guitar playing into, through, and underneath Jimmy's guitar playing is nothing short of perfection itself. And last but not at all least, Robert Plant had an incredibly high vocal range, emotionally as well as in terms of octaves. Just like Dylan was for his own music, Robert's voice was perfect for Led Zep's music and there's no other singer who could possibly have fit in. As a professional singer, I'm knocked out by Robert's vocals on both a technical and an emotional level. Robert understood the concept of using his voice like a musical instrument, creating fascinating sounds without using lyrics. And Robert co-wrote with Jimmy too. A lot of the time you can't understand his lyrics and I've heard that was Robert's intent because just like Mick Jagger, all he cared about at that time was that you connect with the emotion and the energy in the totality of the music. But when you can get the lyrics (like in Stairway to Heaven, their tribute to Janis Joplin), you find a great piece of poetry. And on top of all that, Robert had the best "oooh yeahs" in the business!
CREATIVE SONGWRITING Hardly anybody has ever covered Led Zep songs for very good reasons. Their song structure is based on their vastly superior playing abilities and there's no one who can actually play what they played. I'm talking about songs that are not based on simple chords like all other rock and roll is. Jimmy and Robert based their songs on Jimmy's riffs and on his chordal tonalities that to this day stand alone as being unique. I'm also talking about length of songs that maintain a constant and intense high, up to 11 minutes in length without resorting to an overly repetitive chorus. I know from Robert's solo work after Led Zep that he also uses unusual tonalities in his writing, but even without actually knowing this I would have to assume that due to Jimmy Page being an erupting fountain of brilliant guitar work, the majority of the non-vocal music creation came from Jimmy. The Beatles certainly deserve abject worship for John and Paul's creative songwriting ability, no question about that. Certainly Mick and Keith wrote a slew of classic, historic and truly memorable rock songs, but the very nature of their comparatively simple rock and roll structure and basic similarity to each other in terms of using major and minor chord progressions, simple and basic rock and roll rhythms, and verse/chorus/bridge approach defines them as being less innovative when compared to Robert and Jimmy.
SUM TOTAL OF BRILLIANT WORK Here they outdistance The Stones because most of the Stones' albums have "fillers", which are songs that do not hit the same intense high that got slammed in all their best ones. However, I'd like to say that I don't think either Mick or Robert is capable of recording anything short of a brilliant vocal. The Beatles actually exceed Led Zep in terms of numbers of great albums that constitute a greater body of brilliant and uniquely innovative work that literally broke new musical ground with every single song they recorded. The Beatles were simply The Beatles, and they were the most creative rock and roll band ever, from being the best singers and songwriters ever right down to their individual charm and charisma. But without denigrating their gorgeous, sensitive and original style of playing, what they recorded is not the heavy type of rock and roll that either the Stones or Led Zep played. George, Paul and John were all brilliant and creative guitarists, but because they did not improvise on stage, they were not really master guitarists. I love and respect Ringo as both a person and as a very creative drummer who mastered the art of drum sounds. He has his own unmistakable Ringo style for both, but he's not really a master drummer in the sense of being able to play with great speed and dexterity. I'm talking about 9 Led Zep albums chock full of brilliant and intensely high songs - I don't know how many hours of great rock and roll listening that is. There's not a single weak track among all that work, and there's simply no question that they consistently broke new ground musically. Their debut album is still the best one of all time (including Cream's), and Coda, their "swan song" is equally perfect.
STAGE PRESENCE Led Zep was there when the concept of "rock and roll star" was still evolving. I will grant that the Stones at least deserve honorable mention as the best rock and roll band but it's mostly because of their impressive touring record and Mick's superstar stage presence with his ability to put on a great show every single time he appears. And he's still doing it at age 60 for goodness sake! My point isn't that Led Zep necessarily had the best stage presence, just that they did have a true rock star sexual aura.

I could go on about Jimmy Page's abilities as a producer, and there are other aspects to their greatness like the length of time they were together without a change of band members. And the life they actually led as archtypical wild rock and roll bad boys equals the life led by the Rolling Stones in intensity, if not length. Both bands are perfect examples on an artistic level of what I call FORM = CONTENT, which in this case means that these two rock and roll bands personified the rock and roll life.

In conclusion, the above four categories do enough to fully qualify Led Zeppelin for my not-so-humble award. There will never be another rock and roll band to approach the stratospheric musical heights that Led Zep reached. The Recording Industry Association of America, who has the correct statistics, lists Led Zeppelin as the third best selling musical act/artist in history. The Beatles are first, with 166.5 million albums sold in the USA alone, Elvis is second with 117.5 million, and Led Zep is third with 106 million. I think it's very significant that those statistics are becoming geometrically times greater than the number of albums that they sold during their performance lifetimes. What has happened and is happening is that the young people of today are discovering them in droves because they are coming of age sexually and they recognize and connect with the most powerful musical example of that sexual power. They are buying their CD's, shirts, posters and other memorabilia. And frankly, I'm thrilled.

Peter Cross is a singer/songwriter/producer/Web Master. You can find this article at: Led Zeppelin is the #1 Rock and Roll Band of All Time and his home page at: Rock and Roll with an Immortal Soul. The "best of” Peter Cross CD is A Hard Day at The Orifice. All work protected by Library of Congress Registration No. TXu1-257-177.

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Thursday 8 April 2010

Singing Instruction - To Belt Or Not to Belt

First of all, lets get on the same page when we talk about "belting". I'm talking about the way we sing when someone important yells "I can't hear you". We begin to push and shove and try to sing LOUDER. Our veins pop out in our neck, we take a fighting stance, firmly set our jaw and SING. Tension is everywhere.

Yet invariably we are still told " you're still not singing loud enough."

I suppose, if you were on stage with no microphone, and a band or orchestra behind you, and a big audience, "belting" might help you be heard a little better. But centuries have passed with opera singers doing just this, only without pushing their voices - or "belting". Opera singers have the uncanny ability to make their voices heard over the orchestra, without a mic...and they do this without forcing. This has to do with years and years of training, and some special physical equipment most of us aren't blessed with.

Think about this: do you really need to "belt"? Maybe so, if you are performing opera or musical theatre without a mic and with a small, soft voice. My only advice if this description fits you is to find other kinds of music to perform.

I'm really speaking to the singers who perform pop, rock. country and musical theatre with microphones. Mics are essential to these types of singers. So, if you have a mic, why would you ever want to "belt"?

Let's suppose you front a rock band and your vocal amp goes out while you are singing. The rest of the band is pounding away and so....you start to yell the song. Funny thing. The audience still won't hear you no matter how loud you try to sing. The human voice simply isn't capable of competing with a rock band. So, if you don't want to stop the song you might as well keep singing it at the volume most comfortable for you. They aren't going to hear you anyway.

There are exercises and techniques which will add punch, power and volume to your singing voice, but they take some time to learn. If you are too often feeling pressured by yourself or others to "belt" it out:

• Ignore them.

• Ride your mic closer or turn up your volume in the mix.

• Add more high mids and treble to your vocal mix.

• Buy a mic which is made to boost the highs and high mids.

• Find a good voice teacher and learn how to do it right.

• Purchase a good singing course and learn how to do it right.

Want to learn more easy techniques to improve your singing? Download my powerful new FREE ebook: "TIPS & TOOLS FOR ALL SINGERS" at: http://vocalvision.com/ad1.php

Al Koehn is a nationally recognized voice teacher, known for achieving amazing results with simple techniques. http://vocalvision.com

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Sunday 4 April 2010

Jimi Hendrix - A Vibrant Artist


On November 27, 1942, the US saw the birth of an amazingly talented musician and artist in the persona of Jimi Hendrix. Born as Johnny Allen Hendrix, he had his name changed to James Marshall and eventually took the nickname "Jimmy" from his father, James Al Hendrix. His father recalls the small Jimmy using their broomstick as a guitar. This prompted him to give little Jimmy a ukulele. The boy's passion for playing guitar never dwindled since then.

Although he has no formal education in this field as he was not even able to write or read musical pieces, in just four years after starting his career, he was already recognized that time by his unique and moving style. With such expertise, he was able to render vibrant and creative rock music through distortion of sounds and feedback with a combination of fuzz and other styles in a fascinating way.

During the Woodstock Music and Art Fair Festival in 1969, people who witnessed him play a renegade rendition of the "Star Spangled Banner" in his own musical jive, may still smile until this moment whenever they look at the USA flag as they sing The American National Anthem.

Other than his unnerving music, he was also famous for his sense of fashion. He would always be spotted wearing medallions, scarves and rings, and, of course, his signature hairstyle.

Even in his untimely death in 1970 -- with some details still remaining a mystery -- his artistry did not die. This electric guitarist and popular 1960s icon even transcended this era as until now, his effects on the new generation is still revived every time they listen to his youthful and raving music, which has captured the kind of energy trapped in the young, and will continue to hold sway for more generations to come.

Pollux Parker is an adventurer who loves discovering secret island getaways in each country he visits. Pollux also likes to collect USA Flag and buy cheap USA Flag.

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